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Diatribes and Deathless Prose
@CGTrippWriter

EVERYTHING CHANGES

12/9/2020

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Piles of papers, some financial, some literary, some household related, I sigh and walk away.  I mean the state the world is in here in November of 2020.  Thinking all this would serve as inspiration, that writing it out would help.  Instead, I find myself wanting to go to Strawberry Fields where “nothing is real, and there’s nothing to get hung about”, but I am hung.  Spiritual leaders advocate letting go, accepting change, embracing impermanence.  Our ancestors came across the ocean, bought a farm, and stayed there – had ten kids, taught them animal husbandry, awakening in the pearly grays of dawns to begin work.  Hard work.  Every 50 years or so some great invention would increase efficiencies.  News came in handwritten letters that arrived a month after they had been written.  And each stroke of the pen had thought behind it.  Not like typing.  Not like posting on social media.  And they stayed where they were planted.  This, this global pandemic, this resurgence of oppressive regimes, this fire hose of information, scarcely any of it reliable – they experienced some of this.  But not at this pace, not at warp speed.  My grandfather served in two World Wars, you know, and it messed him up, he killed himself at 54 years old.  Would have been diagnosed with bipolar disorder if anybody was admitting it.  Back then, to have such a disease was shameful.  I wonder if my DNA is haunted down to the last helix, and I’m bitching about quarantines.  Everything changes, I know this, down to my bones, I know this.  But I am comfortable here.  Physically comfortable.  We saved up for retirement, we made plans.  Gaia laughs.  Ok, I am cancelling the pity party, and keeping up the submissions to the contests.  And Zooming with my friends.  Attitude of gratitude, let’s all dance like nobody’s watching, because, really, nobody is.

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    Author

    Catherine G. Tripp writes for grownups.  She writes for the curious, for those who appreciate wry humor, and seek to be enlightened on subjects they thought they knew well.  When people hear or read her work, they are invited to walk in another’s shoes and having arrived at a greater understanding, they found the walk rewarding.  The thematic core of her work is righteous indignation, to express historical wrongs in terms that make the characters and their practices banal in their everydayness, yet shocking in detail.
     
    Her current project is three historical novels set in the 1850s, about three wise and powerful women’s lives.  Hawaii’s beloved Emmalani born into royalty, China’s Dowager Empress plucked out of obscurity, and a determined abolitionist entrepreneur, these leaders lived lives of great adventure and endured unspeakable tragedy.  When she writes about history -or memoir, she reminds us that we are all children of those who survived.  Her recent writings and blog posts have been insightful, fast-paced, evocative essays about current events, and thought provoking memoirs about the tangled branches of her family tree. 

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68-1006 Mauna Lani Point Drive, Kamuela, Hawaii 96743

  • Home
  • About
  • Poems
    • Binary Shield © 2014
    • China Doll © 1974
    • City Sounds © 1982
    • Code Vision © 2014
    • HAIKU COLLECTION © 1976, 2016
    • Hair of the Dog © 2017
    • I Just Endure © 2014
    • Indian Flower © 1975
    • It's just there © 2017
    • Last Easter When I Saw Him © 1976
    • Lines on a Tiburon Ferry 2002
    • Listening to Amy © 2017
    • Mendocino in Bloom © 1982
    • Mine © 1977
    • Reflections in a Photograph © 1976
    • Road Musings © 1982
    • Starving Abroad © 1978
    • Taipei Day © 1979
    • The City © 1982
    • The Pain is Constant © 2013
  • Loan Goddess Wisdom
    • The REAL reasons for 2008 Meltdown
  • Short Stories
    • SOMA VAMP
    • Banking Stardom
    • Her Name Was Tera
    • Lake Sebring
    • The Making of an Empress
  • M. E. Pleasant
  • Performances
  • Diatribes and Deathless Prose